· 2020 · 美国 · 喜剧片 

理查德·詹金斯,沙恩·保罗·麦吉,艾德·奥尼尔,艾莉森·托尔曼,达明·乔伊·伦道夫,Birgundi Baker,John Gawlik,Christine Vrem-Ydstie,Jeff Dlugolecki,Dano Duran,Alex Stein,Holden Ochsenhirt

Stanley, an aging fast food worker, prepares to work his final graveyard shift after 38 years. When he’s asked to train his replacement, Jevon, Stanley’s weekend takes an unexpected turn.

 · 2019 · 美国 · 剧情片 

约翰·马加罗,奥赖恩·李,勒内·奥贝尔若努瓦,托比·琼斯,艾文·布莱纳,斯科特· 谢泼德,加利·法梅尔,莉莉·格莱斯顿,阿莉雅·肖卡特,约翰·基廷,戴兰·史密斯,Manuel Rodriguez,克雷顿·尼姆罗,Jared Kasowski,杰布·贝里耶,托德·罗宾森,特德·鲁尼

故事改编自乔纳森·雷蒙德的小说《半条命》，雷蒙德和导演雷查德共同改编，设定在十九世纪二十年代（即1820s）的俄勒冈，一个西方厨子Cookie(约翰·马加罗饰演)来到荒蛮的西部碰运气，遇到了同样前来寻找机会的中国移民King Lu( 奥瑞恩·李饰演)，两人一见如故，并借着一头奶牛合伙做起了生 意。

 · 2019 · 其它 · 剧情片 

马克·里朗斯,约翰尼·德普,罗伯特·帕丁森,嘎娜·巴亚尔赛汗,格列塔·斯卡奇,大卫·丹席克,萨姆·里德,哈利·米尔林,比尔·米尔纳,Gursed,Dalkhsuren,Tserendagva,Purevdorj,Isabella,Nefar,大卫·摩尔斯特,约瑟夫·朗,Nayef,Rashed,威尔·柯班,法基·埃尔基尔,保罗·巴泽利

根据约翰·马克斯韦尔·库切的同名小说改编，这位诺贝尔文学奖得主将自己的作品改编为剧本。故事的主人公是一位大英帝国海外殖民地的法官，他开始怀疑自己对于帝国的忠诚。

 · 2020 · 法国,哥伦比亚,巴西 · 剧情片 

Luis Felipe Lozano,Fernando úsaga Higuíta

平克正在逃亡。夜里，空旷的街道上弥漫着末日的气息，整个城市似乎都在燃烧。麻醉剂在静脉和空气中打旋。他已经从某个“教士”领导的教派控制中解脱出来，决心掌握自己的命运，现在藏身于一家非法T恤工厂。平克寻找着末路之光，但鬼魂始终在他的周围游荡。这部实验性作品以哥伦比亚麦德林为背景，描绘了一个逃离危险邪教的年轻人的故事。

 · 2008 · 法国 · 剧情片 

桑德里娜·博内尔,玛琳娜·佛伊丝,帕斯卡·埃尔贝,Patrick,Pineau,提布尔·凡松,诺埃米·洛夫斯基,露易丝·奥利-狄奎罗,Melissa,Dima,Antoine,Olivera,罗曼·施耐纳,吉恩·塞纳祖克,Marthe,Guerin,迈克尔·阿比特波,Nicolas,Bonnefoy,Bruno,Blairet,约翰·利贝罗,斯万·阿劳德

费莉西泰，拥有一颗简单、神圣、本原和终极的心，如同上帝创世之心。失恋后的她在寡妇欧班太太家找了一份佣人的活，但是无论她多么忠诚勤劳，却始终不能赢得女主人的信任…… 影片根据福楼拜同名短篇小说《简单的心》改编，并获得2009年雅克·普雷韦剧本奖的最佳文学改编作品奖。女主角由法国演技女王桑德里娜·伯奈尔出演，这也是她第二次饰演女佣角色，她以其充满野性和极富张力的演技，诠释了原作，即生命的精彩和人性的高贵。

 · 2019 · 英国 · 剧情片 

莫莉·温德索尔,约瑟夫·奎恩,斯蒂芬妮·马蒂尼,西奥·巴克利姆-比格斯,丽莎·帕弗瑞,Elodie,Wilton,Maureen,Wild,Derek,Frood,Ruben,Wheeler,Emilia,Copeland,John,Macneill,Yazmin,Joy,Vigus

On a remote holiday park in Cornwall, a young woman is drawn into a mysterious obsession when she suspects her boyfriend has cheated on her.

 · 2022 · 荷兰,斯洛文尼亚 · 剧情片 

Julia Akkermans,约翰·雷森,Eelco Smits,安妮可·费菲,Sinem Kavus,Lolu Ajayi,Glenn Coenen,Noor Croes,Ruben de Goede,Gusta Geleijnse,Jenny Hsia,Zazie Kroeger,Urmie Plein,Bruno Prent,Claire Schuyffel,雅普·斯派克斯

在一次家庭聚餐中，艾瑞斯从她74 岁的父亲让那里得知，他希望75岁成为最后一个生日。荒谬的消息就像一记重拳，艾瑞斯根本没有看到它的到来。 随着父亲生日的临近，艾瑞斯也快要崩溃了，她决定跳出剧本。 她请了假，不经父亲的允许就搬来和父亲一起住，并试图强迫他回答一个对她很重要的问题：为什么？ 似乎没有令人满意的答案，她决定寻找一种方式来处理她父亲的最后一个心愿。

 · 1960 · 法国 · 剧情片 

珍·茜宝,让-保罗·贝尔蒙多,达尼埃尔·布朗热,亨利-雅克·于埃,罗杰·哈宁,范都德,克洛德·芒萨尔,莉莲·德莱弗斯,Michel,Fabre,让-皮埃尔·梅尔维尔,让-吕克·戈达尔,里夏尔·巴尔杜奇,安德烈·S·拉巴尔特,弗朗索瓦·莫瑞尔,Jacques,Lourcelles,热拉尔·布拉什,菲利普·德·布罗卡,José,Bénazéraf,让·杜歇,雷蒙德·亨特利,Louiguy,Guido,

本片和特吕弗的《四百击》同被誉为法国电影新浪潮的开山之作。　　身无分文的街头混混米歇尔（让-保罗•贝尔蒙多）从马赛偷了一辆小汽车，驶往巴黎的路上，他因超速行驶被警察逮住，为了脱身，他开枪打死一名警察，来到巴黎后，他躲进当记者的女友帕特丽夏（Jean Seberg）处（躲避警方的通缉之外，他还想方设法讨回一笔卖车赚来的钱）。帕特丽夏去报社时，遇到警长，对方要她一有米歇尔的消息就打电话相告。对米歇尔，帕特丽夏心态复杂，一面深深为他对一切都无所谓的劲儿着迷，一面却嫌弃他太吊儿郎当。

 · 1963 · 美国 · 喜剧片 

大卫·尼文,彼得·塞勒斯,罗伯特·瓦格纳,卡普西尼,布伦达·德·班泽,约翰·勒·梅苏里尔,阿里卡尔多·维尼,科林·戈登,James,Lanphier,Guy,Thomajan,Michael,Trubshawe,Meri,Welles,马丁·米勒,弗兰·杰弗里斯,克劳迪娅·卡汀娜

本片描述瑞士达拉公主举办化装舞会，各路人马都来目睹粉红豹巨钻的风采，而钻石盗与反抗军皆觊觎公主豹巨钻。法国杜索探长追到瑞士欲擒钻石盗。查理爵士有绅士般的风采，公主与杜索夫人均被他所迷惑，并暗自与之私通。舞会上，杜索当场逮到查理爵士行窃，但巨钻却失踪；杜索夫人与公主共商妙计为查理脱罪，乃栽赃杜索探长而使杜索一夜之间成为家喻户晓的钻石大盗。

 · 2021 · 其它 · 剧情片 

Ece,Çesmioglu,Erdem,Kaynarca,迈莱特·费拉特,Arin,Kusaksizoglu,Inanç,Konukçu,库比莱·通杰尔,Riza,Akin,Esra,Ergün,Gonca,Kucukardali,Kamer,Celenk

沃拉尔的人生平凡无奇。他生长于一个虔诚的家庭，通过经营一家坐落于伊斯坦布尔美国领事馆对面的照相馆，履行着作为养家糊口之人的职责，供养年轻的儿子和生病的父亲。此外，他还延续家族传统，指导儿子成为一个正直的人。但在表象之下，沃拉尔也有一个秘密：他和年轻的女顾客——为了申请美国签证而找他拍照的索奈有了外遇。索奈一心想要离开这里，在梦想破灭后，愤怒的她和沃拉尔起了争执，威胁到了他平静的生活。最终，沃拉尔必须做出选择：是诚实地面对自己犯下的过错，还是掩盖真相、走上道德沦丧的黑暗之路？

 · 2011 · 俄罗斯 · 剧情片 

安东·沙金,斯韦特兰娜·斯米尔诺娃-马尔钦克维奇,阿列克谢·杰米多夫,Stanislav,Ryadinsky,V.,Gusov,Vyacheslav,Petkun,Sergey,Gromov,Ulyana,Fomicheva

（JAP文）1986年4月26日，切尔诺贝利核电站的一个核反应堆发生爆炸，年轻的俄共官员瓦莱里在获悉内部消息后，决定赶紧带着自己的女友维拉逃离此地。当日正值星期六，阳光明媚，人们纷纷外出享受周末，瓦莱里很快发现，这里有一种无形的力量，在阻止着自己离开……　　周六的普里皮亚季镇，街上熙熙攘攘，不少人逛街购物，孩子们在外玩耍，还有人举行婚礼，整座城市显得无忧无虑，与此同时，一场看不见的灾难正在蔓延。人们从来到这里的那一天起，就戴上了无形的手铐，而开锁的钥匙却早已不知所踪。瓦莱里先是丢了护照，接着又崴到脚踝，然后又错过了火车；维拉要在婚礼上献唱，但乐队的鼓手却早已喝得不省人事，无奈又拉上瓦莱里顶替上阵……婚礼渐进高潮，当灾难的消息传来，人们决定继续狂欢。伏特加开了一瓶又一瓶，人们希望陶醉在前一秒那个欢乐的时刻，哪怕这一刻转瞬即逝。　　所有人都记得，那是一个星期六，阳光明媚，绿草茵茵。然而一切都在那天定格。那本一个天真无邪的日子，但那一天，却有许多人被无情地卷入死亡的结局。

 · 1993 · 美国 · 喜剧片 

Matthew,Broderick,Jeanne,Tripplehorn,Tim,Guinee

Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...