· 2019 · 法国,以色列,德国,美国 · 恐怖片
黛安·克鲁格,马丁·弗瑞曼,卡斯·安瓦尔,罗坦·凯南,Lana Ettinger,Yoav Levi,Yohanan Herson,Rita B?de,Annette Atzpodien,Daniel Wandelt,Julia Schneider,Mohsen Azimi,Mehdi Mosadekpur,Gal Friedman,欧哈德·诺勒,巴纳比·麦楚拉特,维尔纳·德恩,Doron Tsa
黛安·克鲁格、艾瑞克·巴纳加盟间谍金惊悚片[女特工](The Operative,暂译)。影片由尤瓦尔·阿德勒([伯利恒])执导,根据以色列畅销小说《英语教师》改编。故事讲述一个女性(克鲁格饰)被摩萨德招募成为间谍并潜伏到德黑兰执行任务,而她更要处理自己和上司(巴纳饰),目标人物的错乱关系。
· 1996 · 日本 · 恐怖片
野村宏伸,西田尚美,Kyôko,Kishida,Masakane,Yonekura,Hironobu,Nomura
春休假期,东京某小学的学生在小田桐理香老师(西田尚美 饰)的带领下来到一座寺院宿营。男孩女孩们欢声笑语,吵闹不断;寺院住持(米仓齐加年 饰)慈祥可亲,平易近人。宿营的最后一日4月4日,作为宿营的保留节目,夜晚的试胆游戏自然必不可少。孩子们用心准备,而寺院小偷浅野和成(野村宏伸 饰)则趁乱盗走这里的镇山之宝。一名学生进入附近的小学,意外中止了钟楼的齿轮。黑暗瞬间笼罩这座小山,忙打乱撞进入校舍的真弥(细山田隆人 饰)、阿司(阿部大和 饰)等人以及小偷将遭遇人面犬、花子等传说中的恶灵。百鬼夜行,恐怖之夜拉开序幕…… 本片根据常光彻的同名小说改编。
· 2020 · 其它 · 恐怖片
Giselle,van,der,Wiel,Telen,Rodwell,Aaron,J.,March,Robert,Harrell,James,Pratt,Daniel,Musial,Ezekiel,Simat,Conor,Fogarty,Brandon,Paterson,Ivan,Topic,Anna,Bauert,Daniel,Cummings,Terry,Serio,Patch,May,Bar
A journalist goes in search of the truth after a series of brutal deaths and disappearances lead back to an urban legend about a serial killing clown that has stalked the woods of Century Park for over a hundred years.
· 2018 · 其它 · 恐怖片
Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra
Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.