· 1990 · 美国 · 恐怖片
大卫·安德鲁,Kelly,Wolf,Stephen,Macht
故事发生在一间坐落在坟场旁边的纺织厂里，霍尔（大卫·安德鲁斯 David Andrews 饰）是一名流浪汉，流落到小镇上的他应征进入了纺织厂上夜班，虽然有了一份收入，但霍尔工作的非常不愉快，他不仅常常遭受工友们的欺负，还和工头沃里克（史蒂芬·马赫特 Stephen Macht 饰）之间有着不小的摩擦。 纺织厂决定清理工厂内部很久不用的地下室，霍尔加入了清洁小组，和霍尔一起的，还有一个名叫简（Kelly Wolf 饰）的姑娘。地下室里不仅废物堆积如山，而且老鼠横行，一行人好不容易清理出了一片空地，才发现地下室里竟然还有一个活动门。霍尔决定进活动门里面探究一番，没想到小组被悉数困住无法脱身。
· 2022 · 美国 · 恐怖片
麦肯娜·格瑞丝,米歇尔·摩根,本杰明·艾瑞斯,Ella,Dixon,Marlowe,Zimmerman,Gabriela,Bee,露西娅·沃尔特斯,Marlee,Walchuk,洛恩·卡迪纳尔,帕蒂·麦克马科,Jude,Wilson,Barbara,Beall,多隆·贝尔,Madeleine,Kelders,Bronwen,Smith
Sequel to Rob Lowe's 2018 The Bad Seed, follows now 15-year-old Emma, as she is sent off to boarding school where a new girl seems to know Emma's secrets, leading Emma to to slip back to her old ways.
· 1995 · 香港 · 恐怖片
叶玉卿,黄耀明,Anthony,Wong,袁咏仪,陈小春,徐锦江
故事一：歌星Sunny（黄耀明 饰）在医院昏迷半年了，但他的身体状况良好，昏迷原因不明。护士（叶玉卿 饰）负责在凌晨值班照顾他。每天凌晨1点，护士都能看到Sunny与一名女孩在一起，原来Sunny被这个死去的歌迷缠住了…… 故事二：芳（袁咏仪 饰）与几名同学到学校附近探险，据说那里常有个大辫子女鬼出现。芳的同学本来是想扮鬼吓她，竟没想到她们真的遇上了这名大辫子女鬼…… 故事三：众多市民都在一本报刊中，看到了一位多天前被撞死的老婆婆的身影。这是一张快照，负责这些照片的是交通警员阿辉（陈小春 饰）与阿明（徐锦江 饰），令人心寒的是接下来的几个月，他们都被老婆婆的鬼魂缠绕……
· 2019 · 美国 · 恐怖片
大卫·卡尔,乔舒华·莱纳德,亚历克斯·布鲁,Ana,Kayne,玛丽亚·迪齐亚,克洛伊·莱文,欧文·坎贝尔,艾狄森·蒂姆林,Chris,O'Connor,爱丽丝·巴雷特,Andrew,Lasky,杰克·费森登,James,Tam,子龙·徐,Noah,Le,Gros,斯图米·玛雅,拉瑞·凡斯登,迈克尔·麦迪罗斯
拉瑞·凡斯登将执导根据玛丽·雪莱的名著《弗兰肯斯坦》改编的独立恐怖片[堕落](Depraved，暂译)，与此同时影片先导海报率先曝光。目前卡司为大卫·卡尔、乔舒华·莱纳德以及亚历克斯·布鲁。片中亚历克斯·布鲁扮演怪物。制作公司Glass Eye Pix、Forager将打造该片。本片2月将在纽约展开制作。
· 2022 · 美国 · 恐怖片
丽贝卡·豪尔,蒂姆·罗斯,格蕾丝·考夫曼,迈克尔·埃斯佩尔,Angela,Wong,Carbone,Josh,Drennen,罗丝玛丽·霍华德,Winsome,Brown,Jaime,Zevallos,Owen,Johnson,Jackson,Finnegan,Zarra,Kaahn,Mick,Coleman,帕特里克·克莱因,Bradley,Lewis
讲述玛格丽特(豪尔)过着成功而有序的生活，完美地平衡了她繁忙的事业和作为单身母亲对极度独立的女儿艾比的照顾。直到大卫(罗斯)出现，她的过去开始困扰她，精心计划的生活发生了更黑暗的转变，玛格丽特不得不直面她逃避了20年的怪物，来终结他们之间的恩怨。
· 1958 · 美国 · 恐怖片
Marshall,Thompson,Shirley,Patterson,Kim,Spalding
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
· 2020 · 美国 · 恐怖片
西德妮·斯威尼,麦迪森·伊瑟曼,雅克·考利蒙,伊万·肖,朱莉·本茨,约翰·罗斯曼,布兰登基纳,菲利普·万普勒,Miles,McKenna,斯蒂芬·富勒,A.J.,Tannen,Ji,Eun,Hwang,Asia,Jackson,Rodney,To,JoNell,Kennedy
朱丽叶（西德妮·斯威尼 Sydney Sweeney 饰）从小就生活在姐姐薇薇安（麦迪森·伊瑟曼 Madison Iseman 饰）的光环之下，薇薇安比她漂亮，比她有才华，比她受欢迎，还考入了她梦寐以求的音乐学院。所有人都坚信薇薇安在音乐方面前途无量，终将功成名就。 一次偶然中，朱丽叶捡到了一位自杀的女生遗留下来的乐谱，她演奏了这份乐谱，并且被其中诡异而又优美的旋律所深深吸引。学校正在招募音乐会钢琴独奏的人选，薇薇安显然是胜算最大的那一个，然而，朱丽叶凭借捡到的乐谱将这个机会从姐姐的手中夺走，这亦造成了姐妹反目。之后，朱丽叶感到自己内心的欲望越来越膨胀，她想要得到更多。