· 1968 · 法国 · 剧情片
让-皮埃尔·利奥德,德菲因·塞里格,克洛德·雅德,迈克尔·朗斯代尔,哈里-马克斯,安德烈·福尔肯,丹尼尔·塞卡尔迪,玛丽-弗朗丝·皮西尔,雅克·里斯帕尔,保罗·帕维尔,马汀娜·波萨,罗杰·特拉普,Catherine,Lutz,Claire,Duhamel,Martine,Ferrière,François,Darbon,Serge,Rousseau,Marcel,Berbert,Jean-Fran
本片是特吕弗著名的“安托万系列”的第三部，但影迷通常忽视短片《Antoine et Colette》误将其认作第二部。 23岁的Antoine Doinel（Jean-Pierre Léaud 让-皮埃尔•李奥）从军队逃出后，虽侥幸逃脱惩罚，却因殴打警察入狱，不良记录对 他找工作造成妨碍，他先后做过旅店守门人、私家侦探等职业。过程中，安托万联系上了昔日女友克里斯汀。两人的感情暧昧而不确定。而按客户要求混进一家鞋店盯梢风情万种的老板娘时，他又将其迷上，感情的天平开始在两个女人之间摇摆。
· 2016 · 其它 · 剧情片
Simon,Hobbel,Rosendahl,吉斯肯·阿尔芒,Hannah,Dybvand,弗里达·霍尔格伦,Egil,Hegerberg,Sindre-Benedict,Hendrichs,Max,Julian,Kleven,Kristian,Riise
Gilberts allergy towards eggs, leads to bullying and embarrassment. He tries to keep the allergy a secret, but when his awful aunt is to babysit him, she tries to poison him with eggs. But Gilbert plans his revenge. Based on the novel Eggg.
· 2017 · 其它 · 剧情片
娜塔莉·贝克尔,Joel,Brown,Arnold,Chikunda,Melissa,Haiden,Daniel,Joynt,哈基姆·凯-卡西姆,格雷格·克列克,德翁·洛茨,Tuks,Tad,Lungu,Pierre,Malherbe,Namisa,Mdalose,Shoki,Mokgapa,Jeanne,Neilson,Matthew,Dylan,Roberts,Grant,Ross
在斯蒂芬.路德医院的儿童看护房里，位于移植名单首位9岁的山姆.库佩正在等待着他的新肝脏。他的妈妈40岁的丽莎.库佩心脏手术的主任医师尽管每天都在拯救病人的生命，却不能救她的儿子，而感觉非常无助。当仅存希望的一个肝脏，在运输的路上损坏后，选择非法途径的肝脏成为了她的唯一选择。她抛弃了她一生都在致力于的医学系统，秘密地去了一个不知名的非洲国家的New Day 诊所。在一个废弃的墙的背后，山姆被作为人质，迫使丽莎为一个美国的有钱人62岁的克莱顿.泰勒做心脏移植手术。丽莎的希波克拉底誓词和她的母性的爱在手术桌上吉利的地征战着。当得知为了此手术，所要得的一个心脏，她要拿去一个年幼无知的小女孩的生命去换回山姆时，她立刻认识到，在这个游戏中一些人的生命的价值要比其他人还重要。
· 2022 · 其它 · 剧情片
Aamu,Milonoff,Eleonoora,Kauhanen,Linnea,Leino,Sonya,Lindfors,塞西尔·奥尔布林,乌娜·艾罗拉,米寇·考毗拉,Amos,Brotherus,Bruno,Baer,Nicky,Laaguid,Oksana,Lommi,Yasmin,Najjar,Elias,Westerberg,Pietu,Wikström,Fathi,Ahmed
咪咪屡屡在女孩团体里冲突闯祸，乐可却总困惑于自己能够爱谁。即将迎来一场大赛的艾玛苦练多年滑冰，却始终无法克服最难的招式。在即将到来的三个礼拜中，三人仿佛经历一场场摇晃又旋转的时光。做爱与恋爱、相聚或分离、交心或冷战，不间断地演练与挫折，宛如踩进一个不时短路的青春循环。 芬兰导演艾莉．哈帕塞洛以周记式的叙事结构，探究女孩成长过程中，时而直率、时而反复不安的情感特色，直接却不带批判。透过灵动的摄影与乐曲，将少女独有的亲密和芥蒂描摹得淋漓尽致。三个年轻演员各有鲜明个性，幽微投射欲望、亲子与人际难题，一次次将观众抛向点餐台、溜冰场、派对舞池，与城市的寂寥黑夜。随着影片起舞，仿似也重新回味了青春时代的温度和或许未完成的人生轨迹。 Best friends Mimmi and Rönkkö want to live adventurous lives, loaded with experiences and passion. Emma, on the contrary, has given her whole life to figure skating. Nothing gets between her and success. But when the girls meet, life opens whole new paths, and they all rocket in new directions. While Mimmi and Emma experience the earth moving effects of first love, Rönkkö is on a quest to find pleasure. Three Fridays is all it takes to turn their worlds upside down. It kind of became my mission to depict girls in a much more complex and realistic way than we are used to seeing in cinema. And to create a film where girls are valued as exactly who they are. – Alli Haapasalo
· 1970 · 法国 · 喜剧片
让-皮埃尔·利奥德,克洛德·雅德,芭芭拉勒琪,达妮埃尔·吉拉尔,丹尼尔·塞卡尔迪,达尼埃尔·布朗热,皮埃尔·马格隆,克洛德·韦加,菲利普·莱奥塔尔,雅克·里斯帕尔,Jacques,Jouanneau,比利·卡恩斯,Jacques,Robiolles,Pierre,Fabre,Guy,Piérauld,Yvon,Lec,Claire,Duhamel,Marcel,Berbert
本片是特吕弗著名的“安托万系列”的第四部。 25岁的安东尼（让-皮埃尔·利奥德 Jean-Pierre Léaud 饰）与克里斯汀（克劳迪·贾德 Claude Jade 饰）结了婚，并在自家楼下开了一家深得左邻右舍喜欢的小花店，日子虽然平常，却也充满 小忧伤与小甜蜜。阴差阳错，他在水利公司谋得一份差事，工作中结识冷艳的日本女子Kyoko（Hiroko Berghauer）后，他被对方身上的异国情调深深吸引，两人坠入爱河，不久他与克里斯汀分居。但与东方美人一起生活时，巨大文化差异令他日益思念克里斯汀。
· 1981 · 英国 · 剧情片
西尔维斯特·史泰龙,迈克尔·凯恩,贝利,鲍比·摩尔,奥斯瓦尔多·阿迪列斯,保罗·凡·西姆斯特,Kazimierz,Deyna,Hallvar,Thoresen,Mike,Summerbee,Co,Prins,Russell,Osman,John,Wark,Søren,Lindsted,Kevin,O'Callaghan,马克斯·冯·叙多夫
二战末期，德国纳粹的攻势渐显疲态。位于法国的某纳粹集中营内，德国军官为鼓舞士气，同时打击盟军的气焰，竟别出心裁地想出了一场国际足球赛。由兵强马壮的德国队，对抗羸弱不堪的国际战俘队。前英国国脚科尔比（迈克尔·凯恩 Michael Caine 饰）认为这是绝佳的越狱良机，于是欣然接受德军 的提议。 科比一方面网罗足球方面的人才，抓紧训练，一面委派美国人哈奇（Sylvester Stallone 史泰龙 饰）逃出集中营，联络巴黎的地下组织，准备在比赛那天里应外合，集体越狱。比赛的日子逐渐临近，他们最终能否成功？
· 1938 · 英国 · 剧情片
Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
· 2016 · 其它 · 喜剧片
拉克兰·伍兹,David,Whiteley,Jane,Allsop,罗伯特·泰勒,诺亚·泰勒,Chan,Griffin,Brett,Cousins,Andrew,Ryan,Dafna,Kronental,杰西卡·克拉克,Ned,Manning,Natasha,Herbert,Tony,Rickards,Catherine,McClements,欧嘉·玛凯耶娃,戴米恩·希尔,约翰·布鲁普顿
一家走下坡路的澳大利亚银行遇到了一个神秘的HR导师麦克斯·门科奥弗和他的自称会提高公司工作效率的改革策略——把雇员变成无自我意识的工作机器。这一切正如男主角所画的未完待续的漫画书的故事情节一样。男主角侥幸没有被下药，他试图和女主角一同打败坏角色、拯救同事并收获爱情。
· 2019 · 其它 · 剧情片
克劳蒂亚·艾辛格,亚历山大·费林,Piet,Fuchs,Anke,Fuenfstueck,Moritz,Führmann,Katharina,Gieron,Gina,Henkel,Yoran,Leicher,Dominik,Maringer,Joan,Pascu,Kristjan,Rasevic,艾拉·朗夫,乌尔里奇·汤姆森,丽莎·托马舍夫斯基,诺拉·茨切纳,Eleonore,Weisgerber
玛丽莲（克劳蒂亚·艾辛格 Claudia Eisinger 饰）写了一封电子邮件寄往来客杂志社，却在阴差阳错之下寄到了一个名叫里昂（亚历山大·费林 Alexander Fehling 饰）的男人的邮箱里。不知情的玛丽莲三番五次的给里昂发去邮件，一来二去之间，两人就这样相识了。 里昂刚刚结束了一段失败的感情，和玛丽莲之间的通信逐渐治愈了他内心里的创伤。而玛丽莲一直以为自己拥有一段完美的婚姻，直到遇见里昂，她才察觉到自己的婚姻早就失去了灵魂。随着时间的推移，玛丽莲和里昂都开始觉得仅仅靠通信再也无法抑制彼此对对方的感情了，但与此同时，他们亦在犹豫，不知道见面是否是正确的选择。
· 2016 · 其它 · 剧情片
埃里卡·韦塞尔斯,Petronella,Tshuma,亚当·克罗斯代尔,Duane,Behrens,Lamar,Bonhomme,Garth,Breytenbach,Antony,Coleman,Jose,Domingos,Lebohang,Elephant,Angelique,Gerber,Lazola,Gola,Jason,Goliath,Denel,Honeyball,Clare,Marsh
An ambitious lawyer kills her gardener by mistake, fearing her chances with the law and the impact this will have on her career at a prestigious firm, she turns to her best friend to help her get rid of the body.